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[EXPERT TIPS][GUY KUO]

Avia Home Theater Disc

Cool tips to make use of Avia, a home theater calibration disc, a little better:


AVIA SHORTCUTS

Although AVIA was designed for point and click navigation, some advanced users have requested direct chapter/title number navigation.

For those who need fast, direct access, here are the chapter and title numbers for the AVIA video test patterns.

Title Chapter Test Pattern

1 1 Needle Pulses
1 2 Needle Pulses + Steps
1 3 Black Bars + Log Steps
1 4 Black Bars
1 5 Black Bars + Half Gray
1 6 Black Bars + Half White
1 7 Vertical 10 IRE Steps
1 8 Horizontal 10 IRE Steps
1 9 Crossed Step Scale
1 10 Vertical Brightness Steps
1 11 Horizontal Brightness Steps
1 12 Black
1 13 10 IRE Window
1 14 20 IRE Window
1 15 30 IRE Window
1 16 40 IRE Window
1 17 50 IRE Window
1 18 60 IRE Window
1 19 70 IRE Window
1 20 80 IRE Window
1 21 90 IRE Window
1 22 100 IRE Window
1 23 20 IRE Window
1 24 10 IRE Field
1 25 20 IRE Field
1 26 30 IRE Field
1 27 40 IRE Field
1 28 50 IRE Field
1 29 60 IRE Field
1 30 70 IRE Field
1 31 80 IRE Field
1 32 90 IRE Field
1 33 100 IRE Field
1 99 Black Bars
1 102 Vertical Gray Ramp
1 103 Horizontal Gray Ramp
1 104 Crossed Horizontal Gray Ramp
1 105 Crossed Vertical Gray Ramp
2 1 Center Cross 30 IRE
2 2 Center Cross 50 IRE
2 3 Center Cross 100 IRE
2 4 Crosshatch 30 IRE
2 5 Crosshatch 50 IRE
2 6 Crosshatch 100 IRE
2 7 Crosshatch Inverse
2 8 Dot Hatch 30 IRE
2 9 Dot Hatch 50 IRE
2 10 Dot Hatch 100 IRE
2 11 Dot Hatch Inverse
2 12 Circle Hatch 30 IRE
2 13 Circle Hatch 50 IRE
2 14 Circle Hatch 100 IRE
2 15 Dots 30 IRE
2 16 Dots 50 IRE
2 17 Dots 100 IRE
2 18 Gray Field Dots
2 19 White Field Dots
2 20 Black Field Plus
2 21 Gray Field Plus
2 22 White Field Plus
2 23 Checkerboard 30 IRE
2 24 Checkerboard 50 IRE
2 25 Checkerboard 100 IRE
2 27 Crosshatch 1.66 30 IRE
2 28 Crosshatch 1.66 100 IRE
2 28 Crosshatch 1.66 50 IRE
2 29 Crosshatch 1.85 30 IRE
2 30 Crosshatch 1.85 50 IRE
2 31 Crosshatch 1.85 100 IRE
2 32 Crosshatch 2.0 30 IRE
2 33 Crosshatch 2.0 50 IRE
2 34 Crosshatch 2.0 100 IRE
2 35 Crosshatch 2.35 30 IRE
2 36 Crosshatch 2.35 50 IRE
2 37 Crosshatch 2.35 100 IRE
2 38 WSE Crosshatch 30 IRE
2 39 WSE Crosshatch 50 IRE
2 40 WSE Crosshatch 100 IRE
2 41 WSE Crosshatch Inverse
2 42 WSE Circle Hatch 30 IRE
2 43 WSE Circle Hatch 50 IRE
2 44 WSE Circle Hatch 100 IR
2 45 WSE Dot Hatch Inverse
2 46 WSE Dot Hatch 30 IRE
2 47 WSE Dot Hatch 50 IRE
2 48 WSE Dot Hatch 100 IRE
2 49 WSE Dots 30 IRE
2 50 WSE Dots 50 IRE
2 51 WSE Dots 100 IRE
2 52 WSE Resolution
2 154 Crosshatch 1.78 30 IRE
2 155 Crosshatch 1.78 50 IRE
2 156 Crosshatch 1.78 100 IRE
3 1 Resolution 100 TVL
3 21 Resolution 200 TVL
3 22 Sweep
3 23 Sweep 50%
3 24 Multiburst
3 25 Multiburst (Labeled)
3 26 Multiburst 50%
3 27 Multiburst 50% (Labeled)
3 28 Sharpness
4 1 Blue Bars
4 2 Red Bars
4 3 Green Bars
4 4 Split Color Bars
4 5 Split Bars with Gray
4 6 Crossed Bars
4 7 Minimum Phase Bars
4 8 Maximum Phase Bars
4 9 Full Bars
4 10 Split 100/75 Bars
4 11 Full 100 Bars
4 12 Split 100 Bars
4 13 Full 50 Bars
4 14 Split 50 Bars
4 15 Yellow Field
4 16 Cyan Field
4 17 Green Field
4 18 Red Field
4 19 Magenta Field
4 20 Blue Field
5 1 Color Decoder Check
5 2 Y/C Delay
5 3 Zone Plate
5 4 Zone Plate (30 frames/sec)
5 5 Gamma Chart
5 6 16 Rectangle
5 7 Overscan
5 8 Backlight Levels
5 9 High Hot Spot 0%
5 10 High Hot Spot 20%
5 11 High Hot Spot 40%
5 12 High Hot Spot 60%
5 13 High Hot Spot 80%
5 14 High Hot Spot 100%
5 15 High Hot Spot 120%
5 16 High Hot Spot 140%
5 17 High Hot Spot 160%
5 18 High Hot Spot 180%
5 19 High Hot Spot 200%
5 20 High Hot Spot 220%
5 21 High Hot Spot 240%
5 22 High Hot Spot 260%
5 23 High Hot Spot 280%
5 24 High Hot Spot 300%
5 25 Mid Hot Spot 0%
5 26 Mid Hot Spot 20%
5 27 Mid Hot Spot 40%
5 28 Mid Hot Spot 60%
5 29 Mid Hot Spot 80%
5 30 Mid Hot Spot 100%
5 31 Mid Hot Spot 120%
5 32 Mid Hot Spot 140%
5 33 Mid Hot Spot 160%
5 34 Mid Hot Spot 180%
5 35 Mid Hot Spot 200%
5 36 Mid Hot Spot 220%
5 37 Mid Hot Spot 240%
5 38 Mid Hot Spot 260%
5 39 Mid Hot Spot 280%
5 40 Mid Hot Spot 300%
5 41 Low Hot Spot 0%
5 42 Low Hot Spot 20%
5 43 Low Hot Spot 40%
5 44 Low Hot Spot 60%
5 45 Low Hot Spot 80%
5 46 Low Hot Spot 100%
5 47 Low Hot Spot 120%
5 48 Low Hot Spot 140%
5 49 Low Hot Spot 160%
5 50 Low Hot Spot 180%
5 51 Low Hot Spot 200%
5 52 Low Hot Spot 220%
5 53 Low Hot Spot 240%
5 54 Low Hot Spot 260%
5 55 Low Hot Spot 280%
5 56 Low Hot Spot 300%
5 89 Pixel Cropping
5 95 Overscan Bounce
5 103 Modulated Steps (Retail Edition Only)
5 104 Modulated Ramp (Retail Edition Only)
5 105 Zone Plate (30 frames/sec) Low Bit Rate (Retail Edition Only)

Title Chapter Audio Test Signal

6 2 Channel Identification (5.1)
6 56 5 Channel Speaker Balance
6 3 Left-Front Level
6 4 Center Level
6 5 Right-Front Level
6 6 Right-Surround Level
6 7 Left-Surround Level
6 43 Phase Left-Front/Right-Front
6 44 Phase Left-Front/Center
6 45 Phase L-Surround/R-Surround
6 46 Phase L-Front/L-Surround
6 9 Subwoofer Level, Left-Front
6 10 Subwoofer Level, Center
6 11 Subwoofer Level, Right-Front
6 12 Subwoofer Level, Right-Surround
6 13 Subwoofer Level, Left-Surround
6 14 Subwoofer Phase Filtered Pink Noise, Left-Front
6 15 Subwoofer Phase Filtered Pink Noise, Center
6 16 Subwoofer Phase Filtered Pink Noise, Right-Front
6 17 Subwoofer Phase Filtered Pink Noise, Right-Surround
6 18 Subwoofer Phase Filtered Pink Noise, Left-Surround
6 19 Subwoofer Phase Warble Sweep, Left-Front
6 20 Subwoofer Phase Warble Sweep, Center
6 21 Subwoofer Phase Warble Sweep, Right-Front
6 22 Subwoofer Phase Warble Sweep, Right-Surround
6 23 Subwoofer Phase Warble Sweep, Left-Surround
6 25 Wideband Pink Noise 5 Channel Pan
6 26 150 Highpass Pink 5 Channel Pan
6 27 Circulating Ambience Generator Clicks
6 55 Pink Noise Match of Center Speaker
6 47 Low Frequency (200 to 20 Hz) Sweep, Left-Front
6 48 Low Frequency (200 to 20 Hz) Sweep, Center
6 49 Low Frequency (200 to 20 Hz) Sweep, Right-Front
6 50 Low Frequency (200 to 20 Hz) Sweep, Right-Surround
6 51 Low Frequency (200 to 20 Hz) Sweep, Left-Surround
6 52 Low Frequency (200 to 20 Hz) Sweep, LFE
6 28 Low Frequency Pink Noise, 5 Channel Pan
6 29 Low Frequency Pink Noise, 6 Channel Pan
6 31 Wideband Pink Noise, Left-Front
6 32 Wideband Pink Noise, Subwoofer Level, Center
6 33 Wideband Pink Noise, Subwoofer Level, Right-Front
6 34 Wideband Pink Noise, Subwoofer Level, Right-Surround
6 35 Wideband Pink Noise, Subwoofer Level, Left-Surround
6 36 Wideband Asynchronous Pink Noise, 5 Channels


IRE Setting Workaround

From ISF Seminar - on the inside as reported by Michael TLV:

AVIA should not be used for grayscale calibrations. The IRE plates are not correct. This will be fixed in an upcoming version of AVIA. Use the VE to do grayscale, however, do not use the VE to do overscan geometry. Use AVIA here.

  • This is not nearly as fatal ... but it throws the readings of a colour analyzer off by a couple hundred degrees.   Guy Kuo mentioned that some colour contamination got into the IRE frames. The human eye cannot see this, but the analyzer can.  The work around is to unplug the Cr and Cb outputs from the DVD player and use only the Y portion ... hence no colour information ... and the contamination is filtered out ... so to speak.  Guy Kuo suggests to turn down the colour sat to zero. One must realize though that on some sets, turning the sat to zero does not always mean zero.